Chambers - Sigma Flare 1 EP

Chambers, a collaboration between Gabriel Saloman and Michael Red, debuts their EP Sigma Flare 1 October 2nd on Debacle Records. With a sound loosely described by the pair as “experimental dub,” derived by their mutual interest in the spacious hiss and tectonic bass of German outlet Rhythm & Sound, Chambers met for dusk-to-dawn exploratory recording and listening sessions in their home studios in downtown Vancouver and nearby Sunshine Coast. This mix of raw urban grime and sea-meets-mountain grandeur intuitively wove its way into the duo’s sound -- equal parts late night wanderings through abandoned streets and cold ocean waves crashing against stone.

The combination of these two musicians came about after what they consider a “dreamlike” introduction by their mutual friend Tusk (a fellow member with Michael of notorious bass-music collective, Lighta! Sound.) Gabriel Saloman is well known for his part in the seminal psych-noise duo Yellow Swans and has developed a strong reputation for his darkly cinematic solo recordings and intense live shows. In Chambers he plays guitar, tapes, and live analog processes, bringing elements of improvisation and noise that disrupt the mechanics of the group's sequences and patterns. Michael Red, who produces and performs sound system music under his own name and ambient-leaning music as Souns, is a well-respected Vancouver DJ. He uses a laptop with midi-controllers setup like a traditional dubwise mixing desk for Chambers, creating new "versions" on the spot and adding further processing to Saloman's signal.

Since their debut opening for Shackleton in 2012, Chambers has performed on bills with Kuedo, The Bug, Kangding Ray, and Kode9. On record their music enfolds ambient textures worthy of Eno or Gavin Bryars, and at the same time delivers propulsive, dub-influenced rhythms that emerge and disappear like phantoms, evoking contemporaries such as Deadbeat and Deepchord. This fall, thanks to Seattle's Debacle Records, a global audience will be able to discover for themselves what has until now been one of Vancouver's best kept secrets.

The debut release Sigma Flare 1, a three track EP, will be followed in the new year by Sigma Flare 2, an album length collection from the same sessions.

Xua - Mekong Moon LP

Mekong Moon is the debut LP from Xua, aka Joshua Lee Vineyard, of Portland, Oregon’s space funk outfit Swahili. The genesis of Mekong Moon came during a hiatus for Swahili, during which Vineyard traveled across Southeast Asia. Like some strange combination of Alan Lomax and Anthony Bourdain, the album is the first in a series of “aural slideshow” records combining his love of ‘70s synth techniques, sci-fi retrofutures, and the field recordings of his travels.

In Xua's own words: “As a child in the '80s, the talk of an emerging Asian economy, during the transition between analog and digital, taking over the world had stuck with me. What would a future world sound like if eastern culture emerged as the world's dominating power? What unheard radio transmissions would emerge?”   

The result is an album that references '70s synth albums -- not the Germanic Kosmiche of Tangerine Dream and Conrad Schnitzler, but instead the “fourth world” pop of Brian Eno, Jon Hassell, and Moebius & Plank stewing in the humidity of a Southeast Asian sunrise.

Golden Retriever - 2 LP Reissue

Golden Retriever 2, the second eponymous release from the Portland, OR duo of Matt Carlson and Jonathan Sielaff, gets its proper due as an LP on Debacle Records on June 16th 2015. This work of Golden Retriever, a pair who Redefine has called, "devout electronic musicians, in love with the lab, with the possibilities of sound, and of machines" is a documentation of jamming out the blueprint for their project, loose compositions that still demonstrate two masters of their craft. Originally out on Carlson's own label Bucket Factory as a very limited 100-copy CD-R release in 2010, Debacle is over the moon to present it in its idealized form, on vinyl -- premium white vinyl in a matte sleeve with spot gloss embellishments, to be exact.

Golden Retriever -- Matt Carlson on modular synthesizer and Jonathan Sielaff on bass clarinet and effects -- blurs the line between sounds created electronically and acoustically. The pair formed Golden Retriever in 2008 and began to develop a language informed by the practices of free improvisation as well as the tradition of American experimental electronic composers like Alvin Curran and David Behrman. Golden Retriever creates music that creatively challenging and structurally complex while remaining inviting and emotionally dynamic rather than adopting a confrontational stance toward the listener.

John Krausbauer - Blues for the Grave - Out 4/17/15

Blues for the Grave, due out April 17th on Debacle Records, is the next chapter in John Krausbauer's explorations of just intonation tuning and acoustic phenomena. The minimalist piece is a spiritually ecstatic catharsis, concocted with the art brutists, noiseniks, and microtonalists of the world in mind. It is a mind-melting drone undulating with voice and strings played the west coast master.

Debacle presents Blues for the Grave in CD format to keep the 30-minute scorcher as an uninterrupted piece, packaged in beautiful pro-pressed digipack CD. Digital download will also be available. 

John Krausbauer as a longtime resident of the west coast, landing in Los Angeles after periods in Oregon and the Bay. Blues for the Grave has pieces of each town within; it was conceptualized in Portland and recorded in San Francisco. His aim through solo work is to marry art brut aesthetics to high art conceptualist methodologies. John has also created in the groups Tecumseh, Trees, Aures, the Ecstatic Music Band, and most currently Lavender Menace.

Debacle's Best of 2014 - Shows (Rachel)

2014 was a helluva banner year for Debacle/MOTOR: Dreamweapon was a fucking force in the bunker-like confines of Kremwerk, our new home base for our parties here in Seattle. We took a trip down to Portland to hang with our MOTOR core there. Powell flew all the way over from the UK to demonstrate his selecting prowess, and hello--Container! We also had our dreams come true, hosting none other than Wolf Eyes for one our biggest crowds yet. Speaking about big crowds: Debacle Fest blew our minds with not only practically all the weirdos of the NW coming out of the woodwork to rock on some of the finest shit we could book, but it was just set after set of the best sets we've seen from those artists. Anyway, enough self-congratulation, this list is for the top stuff I witnessed over the past year, and while I could pat myself on the back all day for the great year we had, many others are also making cool shit happen:

Swans (Showbox Market, September 14th

Do I really need to say anything more? I'm sure you can surmise why they'd be at the top of my list, so let's just keep in mind: Michael Gira is 60 years old and continues to be more enthralling than people half his age, and I doubt a tighter band exists. They also played for practically a week straight yet no one left halfway thru and there was zero banter or breaks. 

Neutral Milk Hotel (Neptune Theater, April 4th)

This show sold out within three minutes, and not just because it's novel they came out of hiding. Like Swans, the band was extremely tight, there was very little bullshit banter to fill up space (as expected with as bashful a frontman as Jeff Mangum is) and they rocked out for hours. No hitches, all hits. 

Diane Cluck (Gallery 1412, March 6th

What a dream. Pretty sure I died and went to heaven. I'll just put this here:

Vanessa Skantze, "Radiant Poison" (Teatro de la Psychomachia, October 11th

Wow. A one-woman butoh performance (though scored by a band) boasting as much weight and emotion as a full production, using little more than expressive movements, powder, and dramatic lighting. This piece had me on the edge of my seat the whole time as it evoked pretty much the entirety of the human condition in a succinct vignette. This one had me feeling like I was watching a thriller. It's not surprising to learn Vanessa has been host to many a workshop teaching this piece to others. 


White Gourd (Youngstown Cultural Arts Center, March 14th

Dressed up like The Devil, and with a large backdrop of the tarot card looming above her, White Gourd gave one of the most mesmerizing performances this year. Many have done, and will continue probably forever, the whole solo performance helped by a chain of loop pedals thing, but dude! This had gongs! And chanting about how "the devil made me do it!" And just when it got real freaky, she made it rain on the audience with fake money bearing anti-capitalist messaging. Hell yeah. 

Thunder Grey Pilgrim (private party, September 20th)

Okay, this one is cheating a bit because it was a private backyard autumn equinox party, but those can have some of the best intimate performances. This one was extra special, as the "chamber doom" trio treated us to a set around a bonfire that was so on-target I don't think anyone watching breathed the whole time. 


Disemballerina & Kvndry Sings (Gallery 1412, August 17th

On the topic of chamber doom, get yourself to the nearest site sharing Disemballerina's music and listen NOW! So beautiful, it's no wonder there's a good swirl of press around this band. Also touring with them was Kvndry Sings. Are you a fan of Antony Hegarty's? Well, look up this Oakland fellow whose voice bears a striking resemblance to the singer's heavenly falsetto, but does it dressed like a hellish metal head (complete with painted on forehead upside cross and mirrored upside down cross earrings.) 

Lori Goldston and Julie Baldridge (Hothouse Spa, March 11th

Another unconventional show to make the list--hey maybe there's something to shaking up the program with a different setting? But how does a heady duo of unplugged cello and violin floating through the air as you soak naked in a hot tub and sauna with only 19 other lucky attendees at an RSVP-only evening sound? Yeah, that's what I thought. Amazing. 

Li'l Debbie (Crocodile, April 20th

Alright, alright, alright. Why is she on this list? Though my phase with her lasted all of about the month surrounding this show, I'll tell you why: girl plays a CHARACTER and plays it well. I mean, it's debatable if she knows she's still a parody or has let her minor amount of fame get to her head now, but the show was entertaining as hell. And it was on "420!" People were throwing blunts AT her, pinging her in the face while she rapped about being able to "bake" a cake and just being ridiculous. Here's a blurry photo of me rocking out to her. 

Fever Witch & Knifecream (Cairo, March 8th

Two extremely tight sets from two very talented buds; Fever Witch being from Oakland and Knifecream being our Debacle bud Mitch. 

Notables and people/events you should try to catch in 2015: 

Mynameisann!, Briana Marela, Funky Photos, The Gods Themselves, Exploding Daydream, Interracial Sex, Noise Yoga, Pent-Up Fest, Wind Burial, and Slates. 

-Rachel Leblanc, Event Coordinator