Hayden Pedigo - Five Steps

Five Steps is an impressive lesson in the snowball effect. Though the Texan, Hayden Pedigo, has rarely left his panhandle home of Amarillo and is barely of drinking age, his many influences are internationally renowned, some with careers spanning longer than Pedigo’s been alive--yet with his well of talent and tenacity, he’s now had the pleasure to work with several of them. Debacle Records is excited to be a part of this next chapter in Hayden’s musical career, presenting his full-length LP out October 28th.

As Hayden recalls: “I had an idea to make this album something entirely opposite of my debut album and attempt to make it a full blown acoustic/experimental album and collaborate with people who inspire me. I recorded all the music that summer and when I finished, I decided to start asking some of my heroes to add to the pieces I wrote for the album.” And, as he puts it, “The results where incredible.” Figuring maybe a few people would respond to his requests, Hayden reached out, coming back with the likes of Danny Paul Grody, German composer Steffen Basho-Junghans, and Tompkins Square alum, Mark Fosson and Nick Jonah Davis. The resulting A side is an expansion of his debut effort (Seven Years Too Late), one that alongside friends like Daniel Bachman and Kyle Fosburgh was hailed as ushering in a new generation of primitive Americana-style pickers by NPR’s Lars Gotrich.

This kid barely looks 17, but definitely has the technique down and an unfocused, yet infectious approach.
— Lars Gotrich, NPR

Emboldened by the response from his acoustic brethren, Hayden tested the waters with his experimental heroes, hoping to flesh out the surreal, REM cycle-sourced ideas he’d been developing using field recordings and electronics. Through happenstance and a flush of luck, Hayden found himself working with This Heat’s Charles Hayward, Robert Rich, and English multi-instrumentalist and improvisor Fred Frith on the four B Side tracks titled “Dream Theory Parts One-Four.” Hearing that Faust’s Werner “Zappi” Diermaier had contributed to “Part Three”, Acid Mothers Temple’s Kawabata Makoto asked to be a part of the action, contributing to the creeping track that creates an eerie atmosphere of the unknown which lurks in dark corners.

The result is an 11-track stunner, melding the worlds of rollicking, warm acoustic guitar compositions and dark, unsettling ambient experimentations. Each side could solidly stand on its own; however together they represent the precocious ideas of a small-town artist on the edge of breaking out. Next up for Hayden: Curating the revived Imaginational Anthem series for its seventh edition for Tompkins Square.

Physical Release Date - October 28th, 2014

Digital Release Date - November 4th, 2014

Side A

L’hannah feat. Mark Fosson

Across the Pond feat. Chuck Johnson

Be Thankful feat. Nick Jonah Davis (Digital Only)

Five Steps feat. Steffen Basho-Junghans

Stray feat. Danny Paul Grody

Ramble for Peter Walker

If I Could Go Back

Side B

Dream Theory Part One feat. Charles & Merlin Hayward

Dream Theory Part Two feat. Fred Frith

Dream Theory Part Three feat. Werner “Zappi” Diermaier & Kawabata Makoto

Dream Theory Part Four feat. Robert Rich

Garek Jon Druss - Music for the Celestial Din

Debacle Records is proud to announce Music For The Celestial Din, the latest offering from Garek Jon Druss. Best known for creating darker, dirge-style sounds as a member of Atriarch, Tecumseh, and most notably his project A Story of Rats, this new solo piece finds a different direction for the Seattle artist, with an intention to uplift and shift the mind into an expansive state. The LP will be available on September 30, as well as in digital formats on October 7th.

Side A is comprised of the track “The Celestial Din,” the studio recording of the audio component to a gallery installation held in the fall of 2013. Utilizing the frequencies 396HZ, 417HZ, and 528HZ based on their reputed human response, Druss has created “a sublimely keening drone that possesses an unsettling urgency, as if it's warning you of some momentous action on the horizon that demands your immediate and undivided attention” elucidates the Stranger’s Dave Segal. His non-traditional approach to score composition through the use of watercolor visual scores is displayed on the back cover of the LP.

Side A is comprised of the track “The Celestial Din,” the studio recording of the audio component to a gallery installation held in the fall of 2013. Utilizing the frequencies 396HZ, 417HZ, and 528HZ based on their reputed human response, Druss has created “a sublimely keening drone that possesses an unsettling urgency, as if it's warning you of some momentous action on the horizon that demands your immediate and undivided attention” elucidates the Stranger’s Dave Segal. His non-traditional approach to score composition through the use of watercolor visual scores is displayed on the back cover of the LP.

Side B features two remixes of the work. First, Pete Swanson turns in a paint-peeling variation that sits somewhere between his noise/drone work with Yellow Swans and the industrial pulses of his recent solo releases. A second remix, created by L.A.’s Ben Chisholm (co-producer to Chelsea Wolfe), has a sweeping soundtrack quality replacing the healing placidness of the original piece with a sense of existential yearning.

Druss, who is also a member of the performance ensemble Saint Genet, will be attending a residency in Vienna this Fall. He will be developing an ongoing series of listening programs that involve live performance, lecture, and meditative listening techniques. Previously he has performed at the Museum of Contemporary Canadian Art in Toronto, The Henry Art Museum and On The Boards in Seattle, The Donau Festival in Krems Austria, and across the United States and Europe.

Announcing Four New Releases!

L.A. Lungs - Rrest

Rrest is the first vinyl release for Olympia, Washington-based L.A. Lungs. Known for creating deeply personal connections with their audiences, the married duo, Afterthought Lung and Leeward Lung, are longtime mainstays of the capital city’s storied underground scene, as well as an integral part of the Debacle Records story. With two previous CDs in our back catalog, amid several releases from other NW labels, the pair have won the hearts of those in the local underground scene since 2005, particularly through their involvement with Debacle Fest and Olympia Experimental Music Festival.

Debacle Records is excited to share the best kept secret of the Northwest with the larger world; it’s time for L.A. Lungs to step into the light.

L.A.Lungs have the ability to, in a single track, evoke both a dusky summer evening and the white, white light of a winter morning. Employing an army of instruments such as guitar, violin, Roland Juno 60, plus toys and noisemakers, L.A. Lungs are able to move from disquieting cryptic sound fields to warm embracing drones. Their songs would be home next to those of Motion Sickness of Time Travel, Mountains, and Lau Nau.

Rrest is the most faithful representation of the L.A. Lungs we know from stage. Hushed conversation at one in the morning, shaking pine needles, condensation on glass, creaking floorboards, sunning cats, puddles filling from heavy drops--Rrest feels like all of these things yet without the aid of field recordings. Empty spaces hold on to your attention. Clicks and strums brush up against you and retreat. Tones that had once felt disconnected and stark, sneak and braid into crescendos of dreamy urgency.

We’re pleased L.A. Lungs will be once again be gracing the stage of Debacle Fest May 31st at LoFi Performance Gallery in Seattle, an event at which they’ve performed nearly every year since 2008, often giving us their best moments. They will also take part in the Olympia Experimental Music Festival later in 2014.

$18 LP & Digital

$8 Digital


King Tears Bat Trip

After tape and digital editions of the album on Hanged Man and Table & Chairs, respectively, Debacle Records is proud to release the King Tears Bat Trip album as a limited edition picture-disc, with art by KTBT member Kristian Garrard. The album has been remastered by Scott Colburn, who has produced albums for Animal Collective and Sun City Girls. We’re also ecstatic to present a rare performance by the septet at this year’s Debacle Fest, on Saturday May 31st in Seattle.

A favorite among the emerging bands of the Northwest DIY scene, King Tears Bat Trip is the vision of Seattle bassist, guitarist, and composer Luke Bergman. Performed in two massive compositions, KTBT’s self-titled debut album is a torrent of sound from the get-go, featuring Thomas Campbell, Kristian Garrard, Chris Icasiano, and Evan Woodle on drums; Neil Welch on distortion-heavy tenor saxophone; Luke Bergman on de-tuned noise guitar; and Brandon Lucia on the Chango, a computer-generated sound interface created by Lucia himself in April 2011.

KTBT can be a ferocious, power-violent beast, but their catchy song forms and hypnotizing beats make this music extremely approachable. The folksy melodies seem as much like Haitian Vodou music as they do an Albert Ayler spirit song. Barking saxophone improvisations shout over Bergman’s washed-out, metallic guitar lines, and twangy, rolling percussion instruments sound in the radius. The band’s tightly-woven rhythmic patterns and careful control of pacing sound both raw and fully assured. King Tears Bat Trip was recorded in unedited, live studio takes, retaining all the energy of their adrenaline-inducing shows.

$18 LP & Digital

$8 Digital


Chris Davis - Live at Post Terrestrial

Chris Davis is a member of Seattle’s kraut-synth jammers Brain Fruit, also a key member of the psychedelic dance collective MOTOR.  This release is the first under his given name, and the first to dive into his abstract improvisations on modular synthesizer.  Taken from a performance at the local experimental meet-up series Post Terrestrial, this new CD is Davis stepping away from the tightly controlled and clever structures of Brain Fruit and out, even further from the improv techno of his MOTOR live sets.  This is live improv synth work in the recent tradition of Greg Davis, Matt Carlson or Keith Fullerton Whitman.

Note: Chris has decided all forthcoming work in this vein will retain the Chris Davis moniker, while Chris will return to MOTOR shows and releases with a new project name.

Mastered by Phil Petrocelli

100 copies - Limited Edition

$8 - CD & Digital

$5 - Digital


Timm Mason - The Lost Levels

You may know Timm Mason from his work in psych overlords Midday Veil, disco strategists TJ Max or most notably his long running solo project Mood Organ.  The Lost Levels is his first release under his own name, having decided to take Mood Organ into the direction of his recent “Missile Silo Disco” sets for MOTOR and forthcoming 12” EP.  The Lost Levels could be seen as a sequel to his early release on Debacle Records Visiting a Burning Museum.  Like that release The Lost Levels trades in slow moving and slightly tension filled drones. Unlike his previous release, the album feels much more diverse in sound sources and features almost a cut and paste style of composition that reminds me of a darker Sean McCann. There is a dramatic narrative tone here that is rare in most sound sculptures like these.

Mastered by James Plotkin

100 copies - Limited Edition

$8 - CD & Digital

$5 - Digital

Debacle Fest 2014

Let’s fucking celebrate our community: For Debacle Fest 2014, May 30th and 31st, we’re showcasing what the festival is all about -- our amazing family of artists, all our supportive fans turned friends, and some favorite local hangouts.

Opening ceremonies commence Friday May 30th at Capitol Hill boutique gallery Cairo with a small line up of intimate performances and hotdog vendor Quack Dogs on location. Then a big whirlwind of a Saturday, May 31st, descends upon Eastlake and Republican, giving fans a Choose Your Own Adventure-style evening across LoFi Performance GalleryBlack Lodge, and the Victory Lounge. Attendees will be able to choose between concurrent performances on all three stages. To up the party atmosphere, local food truck Napkin Friends will be on site and Victory Lounge will offer food specials to fill bellies while projection artists satisfy the eyes.

The richness on tap here in the PNW flows through our lineup. Longtime Debacle family like Dull Knife, Brain Fruit, Black Hat, Blue Sabbath Black Cheer, and L.A. Lungs bring consistently top-notch performances, while Threads, Slow Drips, and Chris Davis make Fest debuts. Talent from up and down the best coast are on hand as well, with Danny Paul Grody, Golden Retriever, Sutekh Hexen, Common Eider King Eider, and more.

And the party isn’t just stuck in night mode: Saturday afternoon, the wealth of Seattle experimental labels is to be had as we host a Record Label Fair, sharing the limelight with our fellow purveyors of underground sounds. From Noon to Five at the Black Lodge eager music seekers can pick up wares from the likes of Medical Records, Translinguistic Other, Eiderdown, and Hanged Man, to name but a few, with DJs and a live performance.  

 

March Super Sale!

Hey, what's that? Has it already been a full year?! Yes indeed, it's March once again which means madness at DEBACLE RECORDS for our annual sale. Not only do we celebrate both our birthdays here at HQ, but we practically give our inventory away!

As always we have a bunch of packages to fit your every need, receive all 36 CDs and 6 LP's currently in stock for only $100+shipping. Or if you're already a Debacle diehard, you can opt for just our 2013 release pack for $50+shipping.  What’s that? You hate CD’s? Well you can pick up all 6 of our vinyl releases for just $50+Shipping



As always it pays to buy early and in bulk! As our stock disappears these prices stay the same, get in early for some insane deals on some soon to be out of print classics.

But you say “I already support Debacle a lot and have half these packages.” Head over to the bandcamp use the promo code “madness” on check out and receive 30% off all orders physical or digital.

Thanks folks your continued support means the world to us!

Sam & Rachel

From the bowels of Debacle HQ